How To Make An Audio Movie

By: Ray Gross
Submitted: 2007-01-17 13:37:49
Print this article | Tell a friend | For publisher |

Rating:

 

Audio…what?

That’s right, an audio movie. Although the term “audio feature” may be more appropriate, as the finished product will constitute a full feature-length presentation -- but audio movie is simple to grasp.

Aren’t screenplays written as a visual medium? This is exactly why they work as audio features. Live screenplay readings have been an irreplaceable tool for the film industry since Thomas Edison’s assistant, W.K. Laurie Dickenson, built the “Black Maria”, the world’s first movie studio. Local theater groups draw enthusiastic crowds by hosting script readings of up-and-coming writers where performers paint an entertaining and vivid image of the story, which is what good screenplays do. Now add life-like sound effects, a compelling musical soundtrack and the portability of an MP3 player, and whalla, the result is unique and engaging entertainment.

The first step is to write or acquire a great script. Preferably the screenplay has garnered some attention, like placing in a reputable screenplay contest. If this has happened, one can be reasonably sure the work is above standard. If not, one of the many script coverage services can provide valuable feedback and suggestions in case the storyline is lacking. The traditional scripting style needs to be tailored a bit for the production -- most importantly the scene headings need to be removed and the information embedded into the action lines. For example, instead of a narrator reading: EXT. HOUSE – NIGHT, it could be “Icy winds sweep a steady veil of snow across a frozen field as the bright December moon hovers over a modest farmhouse.” Notice this line implies an exterior scene, at night with a house.

Extensive desktop software programs are available for recording, editing and mastering audio files. Adobe Audition and Final Cut Studio are two prominent products. Since there is a learning curve, especially if one has never used this type of software in the past, a good investment may be a manufacturer or third party training video to help speed things along. Since audio files can gobble up lots of memory don’t be stingy on computing power. An external hard drive for back-ups is money well spent and an oversized monitor will accommodate the software’s multiple audio track display.

There are a number of handy web services available to download royalty-free audio sound effects and musical soundtracks. SoundRangers.com offers convenient downloads from an extensive library. GrooveAddicts.com hosts an enormous database of music files and a friendly interface to sample and download tracks.

A remarkable abundance of digital-ready acting talent is available through the web. Online services like Voice123.com make casting a breeze. By posting character parts on the site, voice talent from around the world can respond instantly with customized demos and price quotes. Or one can search through the company’s lengthy database to match performers perfect for roles. Many voice artists are equipped with home recording equipment and can provide high quality audio files on demand. “Phone booth” recording studios, like Gigs On The Go (www.gigsonthego.com), offer an affordable alternative and can accommodate phone patch services so directors can work with talent in real time.

With the growing popularity of mobile audio devices, demand for unique and entertaining content will grow, and audio features will evolve to rival the thriving audio book industry -- as long as there’s a good story to tell.

Ray Gross is the creator of http://www.audiocinema.com -- a venue for audio features created from original, award-winning screenplays performed by professional talent from around the world.

Article source: Expert Articles